flemmings: (Default)
flemmings ([personal profile] flemmings) wrote2006-08-01 11:19 pm

(no subject)

So I did buy a mailbox yesterday, in anticipation of either ZeroSum or Le cortège des cent démons, whichever came first. A big black plastic thing, the only one in the shop capable of holding a phonebook. I didn't have the masonry bits to put the hooks into the brick wall but I propped it up on the chair by the front door. I figured the letter carrier would see that it was clearly a mailbox: it's a big box with a flap that opens and written on the side in white letters are the words 'pirate ship' 'mail.'

I came home from work and looked in my letter box and found a delivery notice: Can be picked up at Hanin Drugstore after 1 pm tomorrow.

So I went down there this afternoon in the blistering sun of the hottest day of the year to find out just *why* the letter carrier hadn't been able to get my cent démons, a single modest wide-han tank, into my roomy new letterbox, huh? Huh? Huh?

And was handed an enormous parcel 18" by 14" by 6. [livejournal.com profile] incandescens, you rather forgot to mention the eighteen volumes of Hikaru no Go that came along as well, but I'm delighted to have them. I shall marathon them on the long weekend with my foot up and the usual desperate desire for a French word tank.

I desire it already with Cent démons, some of the more colloquial stuff; though in this case I can compare the Japanese in the bunkoubon. I'm glad too to have this vol 1 in its proper size even if, as always, the art quality has suffered a certain degradation in the process of being printed for a western language. And I'm perplexed by a few of the constructions. 'Emmène Ritsu dans sa chambre, veux-tu?' Err- veux-tu? As in the sense of 'will you?' Can you really say that? Because it sounds like Astérix chez les Bretons to me: 'Puis-je avoir une nuage de lait?' 'Sûr vous pouvez.'

Otherwise the intense heat everyone else has had a taste of has arrived here. To my shock I seem able to survive it with minimal AC use. Time was I used to run the system all night and still wake sweaty. But yesterday I turned it on for an hour to cool the house a bit, then ran my window AC for another hour to get the bedroom truly chilly (and it *was* chilly: bravo for functioning window units) and slept comfortably after with just the fan. And because the windows were closed and the window fan not in use the room stayed dark and I slept for once until 9 am, a happy change from those 5:30 wakenings when it gets light.

Maybe I'll regret this as well, but tonight I have the window fans operating in most of the house. It's warm, yes, but it's pretty dry by TO standards and that registers as cool to me. In fact it started getting feeling-cool around 8 when the sun was out of the way, another surprise. Dryness and a wind blowing makes for comfortable evenings, best spent out on Bloor St with friends. It's the heavy unmoving wall-of-mug nights that lead to thoughts of suicide and the need to keep the AC running.

As it is, except for finding myself under the deadly sun at Spadina and Bloor in mid-day, which makes me dizzy even when the temperature is below 90F, the heat so far has been nostalgic more than anything. Like my childhood though more humid. Like Tokyo though not nearly as humid. (1994 with a record number of tropical nights, when the temp didn't go below 30C/ 86F. That was hot. I closed down psychologically for the duration.)

The cicadas sing and I do Tokyo things to beat the heat, like drinking mugi-cha (barley tea.) Cut with a little iced tea for sweetness because- Americans beware- up here iced tea is always presweetened. I gorge on mango sashimi: chilled mango sliced thin with a sharp knife. If the mango is too mushy for sashimi I have mango sandwiches: mango pulp spread on caraway rye bread with sliced strawberries. Who needs jam? Or chicken with mango spread instead of mayonnaise. I could live on mangoes in summers like this.

And it's all going to end tomorrow or next day so I can for once agree with my mad Iraqi neighbour that 40 or 50 is a pleasant temperature. It is, if you have nothing to do and can just sit around happily drugged by the heat and let thoughts flow through you secure in the knowledge that it won't last past a few days. I find that Ritsu's grandfather speaking French has given me the vague desire to write Ritsu's grandfather speaking English in some vaguely onmyouji-like story where the ghoulies are truly ghoulies and not just Seimei's 'magic' called up by someone's chance words or overwhelming feelings.

The ghoulies as I may have said before are a problem: Japanese bogles are vulgar and ridiculous. Their ghosts aren't really scary by me, but they can be made to be scary when you only see part of the story. Something odd, something out of place, but whatever backstory there may be doesn't come out until much later.

[identity profile] mvrdrk.livejournal.com 2006-08-02 05:00 am (UTC)(link)
LOL! I look forward to your reaction to HnG, though I'm sure you will be far, far ahead of the English release.

I'm glad you're enjoying the heat. You and nojojojo are welcome to it. Seattlites aren't used to it and I'm afraid I've become acclimated.

Have you considered fancy finishing your bathroom with an overcoat of lighter pink? (Rolled towel, sponge, watered roller, whatever technique.) It would ease the intensity of the current color a bit, but not require the accuracy of a full repaint.

[identity profile] mvrdrk.livejournal.com 2006-08-02 05:00 am (UTC)(link)
Um ... or white. The current color could bleed thru the white and it might be quite nice ...

[identity profile] flemmings.livejournal.com 2006-08-02 01:39 pm (UTC)(link)
That's a distinct thought. Matching shades *again* in a hope to get it lighter and righter this time is an exercise in frustration I'd rather avoid.

[identity profile] mvrdrk.livejournal.com 2006-08-02 06:49 pm (UTC)(link)
If you want the salmon to show thru the white, and you have acrylic paint (not oil based), you can add water to the roller, brush, or paint. That makes it go on thinner and lets the underlying color show thru.

Not all painters do special finishes, but they should know about it, even if they don't do it, and can tell you which techniques create which looks.

[identity profile] mvrdrk.livejournal.com 2006-08-02 06:54 pm (UTC)(link)
And ...

matching paint shades takes time and patience, something many paint employees aren't trained or willing to do. I forget which testing org went out and tried to get matching paint from a bunch of different places. If I recall the report correctly, most places gave them something close but off, sometimes significantly off. The perfect match came from someone who knew what she was doing and spent nearly a 1/2 hour fiddling with the system to adjust the color perfectly.
incandescens: (Default)

[personal profile] incandescens 2006-08-02 10:04 am (UTC)(link)
Whoops, must have slipped my mind. ;)

I'm not sure about the veux-tu. I found myself translating it along the lines of "would you" or "if you don't mind", but in retrospect . . . I'll see if my dictionary can provide anything useful this evening. Or my French slang book.

Enjoy. :)

[identity profile] flemmings.livejournal.com 2006-08-02 03:08 pm (UTC)(link)
Enjoy. :)

Thank you. I intend to. Heian ghosts are far more elegant than Heian ghoulies.

[identity profile] paleaswater.livejournal.com 2006-08-02 12:03 pm (UTC)(link)
Oh, I would love to read it. I really haven't seen any Hundred Ghosts fanfic stories except for the Chinese ones, who seem to get Seimei right, but never could get Hundred Ghosts right, since they just don't understand the concept of an ghoul that is conjured up by human feelings. Btw, vol 13 is out in Chinese finally. Yeah!

[identity profile] flemmings.livejournal.com 2006-08-02 03:18 pm (UTC)(link)
I'm not sure I understand a ghoul conjured up by human feelings either. In Yumemakura the oni are either human beings transformed by their passions, except rarely when they're the stock Japanese thing with long necks or bulging heads or a dog walking on its hind legs, wasn't it? that eat human eyeballs. That sort of ghoulie is the stuff of 12 year old campfire ghost stories: grotesque and grand guignol.

Hundred Ghosts ghoulies like the ones that make off with the head from the funeral are regular grotesque ghoulies, though the wrinkle that the woman transformed by passion in that one was a cat was rather nice. Or else they're ordinary Japanese ghosts, like the little girl who burned to death and keeps hanging around. The kind you're talking about is more the one in the miniature garden, yes? something untamed and psychotic in life that still operates after death. But that case really was a psychotic and not as... weird tales as stories where things unseen follow you. That nightmare trip Ritsu and his mother make in the snow when he's young, for instance.

[identity profile] paleaswater.livejournal.com 2006-08-04 01:09 am (UTC)(link)
Sorry, I meant it the other way around. I think the Chinese are so people centric that they simply can not imagine supernatural creatures who are not somehow by-products of human feelings. Their ghosts & creatures are like the ones in Onmyouji, all of them are somehow related to humans. Not like the hundred ghost creatures, who are totally alien. The Chinese ghosts for elegant stories and occasionally even deep philosophy, but I always preferred the otherness of hundred ghost.