Entry tags:
Doldrums
Have been earwormed all week by Steeleye Span's King Henry. Earworms usually have one line at least that relates to my current situation. This doesn't. But I was chuffed to learn that there actually is a Scots ballad that forms the basis for SS' version, but that the ballad has no music attached, so the composer borrowed one. Not that it sounds like Bonaparte's Retreat to me at all.
I managed to finish Ruth Rendell's The Speaker of Mandarin and that's it. Ordinarily I'd just go read more Rendell, but that's summer lassitude talking. None of my genre books inspires me with the desire to read; I reaĺly need cooler weather for those doorstoppers. So I had the bright idea of trying something Completely Different. I have a number of my mother's books, ganked from the home library thirty years ago: mostly stuff I thought I might want to read sometime in my old age etc. Well, old age is on me, so let's try something mainstream. In this case, Elizabeth Bowen's The Hotel. And it starts very nicely with a bunch of tween war expats summering in, I assume, the south of France. It could be the lead-in to an Agatha Christie mystery. But then it goes on and on, and no one is murdered, and I can't keep the various Mrses and Misses straight, and it becomes as much a chore as the genre works.
So I fall back on a Front Lawn Library Ian Rankin, which is probably not going to cheer me up, given past Rankins, but oh well. Yes, I know I should just forge on with Hamabe no Kafka, because when everything reads the same, Murakami's utterly mundane Japanese at least has the virtue of language practice. But I only have patience for a few pages at a time of that.
Roll on September...
I managed to finish Ruth Rendell's The Speaker of Mandarin and that's it. Ordinarily I'd just go read more Rendell, but that's summer lassitude talking. None of my genre books inspires me with the desire to read; I reaĺly need cooler weather for those doorstoppers. So I had the bright idea of trying something Completely Different. I have a number of my mother's books, ganked from the home library thirty years ago: mostly stuff I thought I might want to read sometime in my old age etc. Well, old age is on me, so let's try something mainstream. In this case, Elizabeth Bowen's The Hotel. And it starts very nicely with a bunch of tween war expats summering in, I assume, the south of France. It could be the lead-in to an Agatha Christie mystery. But then it goes on and on, and no one is murdered, and I can't keep the various Mrses and Misses straight, and it becomes as much a chore as the genre works.
So I fall back on a Front Lawn Library Ian Rankin, which is probably not going to cheer me up, given past Rankins, but oh well. Yes, I know I should just forge on with Hamabe no Kafka, because when everything reads the same, Murakami's utterly mundane Japanese at least has the virtue of language practice. But I only have patience for a few pages at a time of that.
Roll on September...
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I've read absolutely no Murakami at all, despite having forayed into Yasunari Kawabata and Natsume Soseki. Any idea of where to start with his oeuvre?
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Murakami's an odd duck. He reads to me, in both Japanese and English, as quite watercolour, helped by his habit of referencing American culture items all over the place. Because I prefer genre to mainstream, I like his weird oeuvres like Kafka on the Shore and Hardboiled Wonderland, where the unlikely action dominates the prose. But the earlier works are shorter and more accessible, like Hear the Wind Sing. If you survived Kawabata, Murakami's attitude to women won't bother you, but it grates on me a touch when it's the main theme of the book.