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Mercury is in retrograde: my tablet has gone wonky, the Libby app on my phone won't open my book, and the email I sent my money woman seems to have got lost in the ether. This happened with the old one as well. Maybe I should start calling her instead.
Finished Northanger Abbey, a leisurely reread. Since I remembered the what but not the how, I was subject to embarrassment squick in the last chapters, but Austen was kind to my sensibilities. Probably should reread Persuasion next.
Continue with The Way Spring Arrives, skipping some of the essays, though the one on translation suggests just how much I'm missing. The Restaurant at the End of the Universe is a favourite with me precisely because I know who it's talking about. And I know, from what various friends have said, that there are probably a million allusions in the original that either can't be translated or that I simply don't know. Maybe I should go through those slim volumes of Chinese sayings I bought ages back and find the equivalents of 'Meng's mom moves three times' as applied to, I don't know, birds or food or something. Which won't help with the present volume, of course.
Started but on hiatus is a Victorian-set mystery, A Death in the Small Hours by Charles Finch. Pleasant, but Spring has several people waiting for it and I must finish it first. Should probably send it back for the nonce because the earlier volumes might come in in the meantime. This one is something like vol.6 and was the first available.
The library didn't have a dead tree or ebook version of The Masquerades of Spring, just the audio which, no, not with Aaronovitch and his infinitely confusible white bread names. Hardcover was some hideous price so I bought it from Kobo. And a good thing too because dead tree would have me tearing my hair out. The names are bad enough even with a search function, but the action defeats me completely. I still don't know where that blasted saxophone came from, much less which version of its origin is fiction and which fact. Doubtless this has something to do with my occasional inability to parse text on screen, but maybe the action really is that twisty? I suppose three rereadings might straighten it out but am not hopeful. OTOH it's a lot less silly twit Wodehouse pastiche than I had feared, so otherwise an enjoyable read.
This morning's dream was again of AJC and an apartment she rented and a disabled-indeed, moribund-- roommate we had to get down the stairs somehow. Segued somehow into a rewrite of Autumn Term, with Nicola home for half-term thinking how different everything looked after three months at school. Of course she'd only been gone for half that time, but dream!Nicola didn't know that.
Finished Northanger Abbey, a leisurely reread. Since I remembered the what but not the how, I was subject to embarrassment squick in the last chapters, but Austen was kind to my sensibilities. Probably should reread Persuasion next.
Continue with The Way Spring Arrives, skipping some of the essays, though the one on translation suggests just how much I'm missing. The Restaurant at the End of the Universe is a favourite with me precisely because I know who it's talking about. And I know, from what various friends have said, that there are probably a million allusions in the original that either can't be translated or that I simply don't know. Maybe I should go through those slim volumes of Chinese sayings I bought ages back and find the equivalents of 'Meng's mom moves three times' as applied to, I don't know, birds or food or something. Which won't help with the present volume, of course.
Started but on hiatus is a Victorian-set mystery, A Death in the Small Hours by Charles Finch. Pleasant, but Spring has several people waiting for it and I must finish it first. Should probably send it back for the nonce because the earlier volumes might come in in the meantime. This one is something like vol.6 and was the first available.
The library didn't have a dead tree or ebook version of The Masquerades of Spring, just the audio which, no, not with Aaronovitch and his infinitely confusible white bread names. Hardcover was some hideous price so I bought it from Kobo. And a good thing too because dead tree would have me tearing my hair out. The names are bad enough even with a search function, but the action defeats me completely. I still don't know where that blasted saxophone came from, much less which version of its origin is fiction and which fact. Doubtless this has something to do with my occasional inability to parse text on screen, but maybe the action really is that twisty? I suppose three rereadings might straighten it out but am not hopeful. OTOH it's a lot less silly twit Wodehouse pastiche than I had feared, so otherwise an enjoyable read.
This morning's dream was again of AJC and an apartment she rented and a disabled-indeed, moribund-- roommate we had to get down the stairs somehow. Segued somehow into a rewrite of Autumn Term, with Nicola home for half-term thinking how different everything looked after three months at school. Of course she'd only been gone for half that time, but dream!Nicola didn't know that.

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Hope you enjoyed Northanger Abbey, it's very gentle fun. I'd be interested to hear your thoughts on Persuasion.
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Re Masquerades of Spring, I have read all the novellas, but only once and it's been some time now. Once I've finished Victoria Goddard's The Hands of the Emperor, which seem to be epically long, a reread of the novellas might be something I could do next.
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Yeah, maybe technological FUBAR is the new world order.
NA is remarkably genial for Austen. Sensible parents! Reasonable siblings! Sure signs of an early work. /sarcasm
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Unless, as SB says up above, this is the new world order.
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It's a pleasant read, even with duplicitous friends and heavy uhh Georgian tyrant fathers. Catherine's parents are reasonable creatures, fond but not foolish, and her brother a sensible man. A far cry from the Benetts, the Elliots, and Mr. Woodstock ugh.
I tried The Hands of the Emperor but it was too slow and heavy for me.
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And poor Austen obviously had had to deal with his ilk.
Ha ha! Thorpe as a Deep One! Too true.
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That's what it felt like to me reading Hands. Maybe a book for a long winter evening instead.